My noise/ambient/drone/spoken word group Clawing has an exclusive track on the Enough compilation released today by Trepanation Records. All proceeds from the compilation will be donated to Black Lives Matter.
Bandcamp today will be donating all revenue to the NAACP Legal Defense Fund as well, so it’s a great time to pick up many things, like the Clawing/Offerbeest split on Nailbat Tapes or the last Joyless Noise.
Two of the finest practitioners of unsettling and enveloping audioscapes team here for varied takes on drone, noise, and sonic wrangling.
Alabama’s Clawing is a collaboration between the prolific trio of Jeff McLeod (Gezoleen, Saragashum, Bert) Austin Gaines (Calques, Hadals, Japanese Women), and poet / spoken word artist Matt Finney (It Only Gets Worse). Their work here is an expansion on the ghostly world conjured on their masterful debut, Spectral Estate, with an unsettling aura that rests atop a current of anxiety and contemplation.
Offerbeest is one of the many guises for Dutch artist Maurice de Jong, perhaps best known for his work in the twisted black metal / experimental terror that is Gnaw Their Tongues. With Offerbeest, Maurice relies on analog synths to conjure bleak passages through demon haunts. High quality cassettes (edition of 100), digital downloads and streaming courtesy of Portland’s Nailbat Tapes.
The upcoming Clawing/Offerbeest split is now up for preorders at Nailbat Tapes. Get two downloadable tracks now, and the full digital release and cassette when it comes out on June 1. Clawing is my noise/drone/soundscape trio with Austin Gaines (Calques, Japanese Women) and Matt Finney (It Only Gets Worse, Heinali), and Offerbeest is Mauric de Jong (Gnaw Their Tongues). 4 tracks from each.
Also, I’m putting the finishing mastering touches on Joyless Noise, Vol. 5. Austin Gaines is once again doing the artwork. 4 songs lost in deep space on a doomed ship. More info soon…