Last night I mixed tracks on my new recording until my ears were completely burned out. I’m making up for lost time because, when I sat down to get started on the last leg of this year-long recording (the final release in a trilogy of recordings that began with Under Dim Self in 2011 and continued with Scalps Of Gods in 2012), I had gear failure . . . which meant I had to spend money and time getting back up to mixing speed. A screeching halt. Immediately. I work with gear from the dark ages of digital recording. I don’t use a computer workstation. I’ve got an old, outdated Roland 16-track, and I have to mix down to a standalone CD Recorder. That was what died exactly at the moment when I sat down to start my final mixes. You can imagine my reaction…
Yesterday, my new (used) CD Recorder arrived courtesy of eBay, so I got set back up. I managed to get three of the nine tracks mixed, but I had to start from scratch on one of them because where I had left it was simply not working. The tracks are all great-sounding, and I can’t wait for folks to hear them, but I really want to be done so that I can move on into other sounds, expanding on some ideas that I’ve been mapping out for a series of noise releases next year.
Moving on is why I self-released Migration Of The Device, which was something I was hoping would be out on a vinyl split this year. I wrote a little more about it in a previous blog, and just did a 5-question session with our local paper. That particular recording had been complete since February, so just to get it out of the way and move on, I put that up on my Bandcamp page.
Got a new synth coming, too, that I’m planning to add into my noise arsenal for 2014. An Arturia MicroBrute!
So . . . just a little update, really. Heading to see Alice Cooper here in town Halloween night! Show review will be posted here! Hope you all have a great Halloween!
Even though I’m nearly done with a full-length recording that I hope to make available by November/December, I’ve got a new 4-song release now available that I finished much earlier this year. I began work on these songs in late 2012, and their ultimate destination was to be on a vinyl split with an awesome artist on an equally awesome label. But, as these things go, for a variety of reasons well beyond my control, it seems that this isn’t going to happen. At least not in time for me to get this music out there before I begin finishing up my full-length. I won’t bore you with any of the details any further, but I’m moving forward and releasing this one on Bandcamp today . . . before it gets lost in the glut of other musical output.
It’s called Migration Of The Device, and it’s in line with the electronic-oriented style of things that I’ve been doing for the past few years on other solo releases. This one, however, is quite different than the last couple (2011’s Under Dim Self and 2012’s Scalps Of Gods) in the respect that I employed some freshly-outside devices for inspiration towards the texture, mood and lyrical content (all of which is on the release site, if you want to see) of the 4 pieces. Oddball personal tarot spreads and readings from a variety of occult texts were sources of great inspiration for this collection, and I really think they shine darkly and smartly through the sonics that I was able to conjure.
In short, I’m completely happy with it! It’s a quick (20+ minutes), noisy jaunt through a few months of my life. I’m so glad to finally get it out into the cold light of day . . . and I’m equally elated to be able to move on to another recording well on it’s way to being finished. This is part of musical closure for me . . . these four songs being precursors to something even bigger & better that is nearly completed. Both of these writing and recording sessions have allowed me to move my music and my ideas into a new area that I’m excited about. Details on all this stuff are coming very soon.
You can listen to and download Migration Of The Device on my Bandcamp site, as well as all the other releases. Downloads of this new one come with a packet of drawings and photos from the recording session. As always, I truly appreciate your support and I hope you enjoy what I’ve made. More is definitely on the way…