Tagged: jamie uertz

Something New, Something Old, Something No…

We just posted three new No songs on our Bandcamp page. Well . . . actually there are two tracks. Two of them are ramrodded right smack into each other. Give ’em a listen, and you’ll see what I mean. We knocked these out in a day with Jamie Uertz at Sarcophagus in Auburn, AL. I feel like these are a bit different for us. Certainly on the guitar end of things.

Our friend Scott Bazar from Panama City, FL has created a wacko video to go along with the aforementioned ramrodding of “Insufficient Data/Wastage, Pilferage, Breakage,” too!

Next weekend on Saturday, August 2, I’ll be doling out some noise on guitar in Birmingham, AL with Baghouse for two sets at this year’s Secret Stages festival. We’re playing at 5:15pm on the Miller Lite stage, and again later that night at M-Lounge at 11:15pm.

Also, 14 new stories are up from the writing group at The Five Hundred. This month’s prompt was “Try not to think about it too hard.” My submission was Windowless Tower.

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Endless Tunnels

Endless Tunnels Image + textEndless Tunnels is my latest recording of deep drone pieces, and it’s available now from the good folks at Montreal’s GBS Records. This past weekend was pretty busy, with us laying down 3 new No songs at Sarcophagus Studios in Auburn, AL with Jamie Uertz (Hematovore) . . . and it completely slipped my mind that Endless Tunnels was about to be out there howling its deceptively far-away howls into the voids between human ears (or not!). But, yep . . . it’s swirling away there in the thin darkness of the web, doing its deep dark thing.

This is my second full-length for GBS (alongside the radio performance EP Without Hope), and is very linked to its predecessor, I Wonder What Ever Became Of Me. Once again, I used Boulanger Labs’ amazing csGrain granular processor/filter to manipulate live sound, but this time, instead of playing the Moog guitar through it, I used an Arturia MicroBrute, which is an amazing little analog synth. These were great sessions, where I was able to really feel swallowed up by the sound being created live there in the recesses of my basement. It works well at all volumes, but, as always, I’d recommend listening to it as loud as you can stand through a good system that you sonically trust. There’s a possibility of a future limited cassette release as well. More on that soon! Until then, feel free to listen, download and enjoy!

Many things crammed into a small space…

A Kickstarter campaign just went live today for a box set reissue of the first three recordings by one of my favorite ’90s noise rock bands Craw. Journalist Hank Shteamer (who I’ve known since those ’90s noise rock days) has planned an ambitious reissue for this Cleveland band’s long out-of-print material: a 6-album box set, limited to a release of 100, with some very nice incentives for serious fans of the band. Doing something like this is so expensive, so if you were ever a fan of this band, I urge you to go help out. There’s a nice overview of the band for those who aren’t familiar with all the excellent, darkly noisy, totally unique music that they produced.

Also, the latest batch of flash fiction from The Five Hundred is now up. This is a writer’s group I’m in, where we get a prompt each month that we respond to in 400-600 word submissions. This month’s prompt was “It slipped my mind.” My response is Recentering. Once again, my favorite stories were from my friends Matt Wilson (the beautiful White Walls) and Stephen McClurg (the excellent Like The Ones I Used To Know).

In celebration of my release of Joyless Noise, the first volume in a series of noise releases, competitively-priced at $1 . . . ALL the music on my Bandcamp site is now available for download for the same low price. I would appreciate your support, as I work toward two new releases looming on the horizon. I’ve finished up a new drone release called Endless Tunnels, due out on Montreal’s GBS Records (who also released I Wonder What Ever Became Of Me and Without Hope) later this spring. And I’m well on my way with work on Joyless Noise, Volume 2.

This weekend, my trio No is heading to Sarcophagus Studios in Auburn, AL to record three new songs with Jamie Uertz, who we worked with on our last release Scum Commodities. And Baghouse, the improv trio that I play guitar with from Athens, GA, will be playing at this year’s Secret Stages Festival in Birmingham, AL on Saturday, Aug. 2. Details on all of this are soon to follow!

Current listening:

Atriarch – Ritual Of Passing

Beastmilk – Climax

Djam Karet – Regenerator 3017

In Solitude – Sister

Inquisition – Ominous Doctrines Of The Perpetual Mystical Macrocosm

Inquisition – Obscure Verses For The Multiverse